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Session 70. Cuts between the film footage entered into the trial as evidence and of still photos entered into the trial as evidence and Eichmann watching the footage. Eichmann does not seem to change his expression throughout the screening. 00:00:27 Footage being shown in the courtroom - medical examinations of inmates, posters of Nazis. Eichmann in courtroom speaking. 00:04:32 Footage of train with cattle cars going past. Scenes in a camp, jumping into pits, being helped onto trucks (?), being shot in pits and then buried. 00:06:45 Train with cattle cars at dusk. 00:08:08 Footage of people with arm bands at a railway station getting into cattle cars, SS guards. Cuts back and forth to Eichmann in the courtroom. 00:10:58 More people, with belongings, arrive at station. 00:12:12 Changing projector reel in courtroom, Eichmann.00:14:40 Blurred writing comes up on the screen, in French, credits come up. "Nuit at Brouillard" (Night and Fog), a documentary by Alain Resnais is screened. One of the most vivid depictions of the horrors of Nazi concentration camps, filmed in 1955 at the postwar site of Auschwitz, the film combines color footage with black and white newsreels and stills to tell the story not only of the Holocaust, but the horror of man's brutal inhumanity. 00:16:09 Film starts. Barbed wire, subtitles "A peaceful landscape, a field with crows, a country road, a village, holidaymakers and a fairground. The way to a concentration camp...were merely names on the map. The tongues are silent. Only the camera circles the..." All along the camera pans over a concentration camp. Eichmann watching the film. Footage of Nazi party rallies. Shots of a camp. 00:19:04 Still shots of people with their belongings, lining up to get into trucks. Footage of people walking down road with all their belongings, getting into cattle cars. Father with children. SS closing up the doors to the cattle cars. 00:21:21 Train leaves station, shots of Auschwitz. Still photographs of many people sitting in courtyard, naked people lined up. Subtitles, triangles on clothes and armbands shown. Pictures of SS. 00:23:54 Shots of the wooden bunks people had to sleep in, buildings of the camp. Stills photos of men in bed, the band, snow. Eichmann watching film. Inmates, deportees, drinking soup. 00:27:22 Latrines, subtitles on the black market, resistance. 00:28:04 Entrance to Auschwitz, signs of other camps, orchestra, a bear. 00:28:34 Children, people with crutches. 00:29:10 Stills photos of people who had thrown themselves to the electric fence, naked people lined up. Hartheim. Trucks; letters. 00:30:49 Still photos of dying men, footage in camp hospitals. 00:31:55 Woman talking to camera, subtitles about medical experiments. Men who were castrated, emaciated legs, passports shown. Register of thousands of names. 00:33:53 Still photos of well dressed, well fed people sitting around laughing. Eichmann watching. Subtitle "1942" - SS men shaking hands, Himmler. Plans for camp and incinerator. 00:35:49 deportations, train. Dead bodies in truck. 00:36:30 Still photos of naked women and men, cylinders of Zyklon gas. 00:36:54 The inside of a gas chamber. Emaciated corpses in piles. 00:37:58 Clandestine still photos, taken by the Resistance, of burning bodies outside at Auschwitz when the crematorium became too full. Skulls, limbs and human remains. 00:38:25 The ovens. Eichmann watching the film, he does not change his position throughout the viewing. 00:39:20 Piles of spectacles, pits, shoes, hair, carpets. 00:40:24 Oven door is opened and a human skeleton is inside. Bodies, decapitated heads, soap presumably made from humans. 00:41:03 Artwork laid out on table. Arial shots of camp. Bodies littering the ground, subtitle mentions typhus. 00:42:06 Tractor pushes all the bodies out of the way into a pit. Women leaving the building, men and women in uniforms walk past the camera. Skulls lined up, deportees looking through barbed wire fences. Kapos saying that they are not responsible. 00:43:40 More shots of bodies. Eichmann watching.
The SSC Multimedia Archive is an automated electronic system to manage images, acquired both by film and digital cameras, for the Public Affairs Office (PAO) at Stennis Space Center (SSC). Previously, the image archive was based on film photography and utilized a manual system that, by today s standards, had become inefficient and expensive. Now, the SSC Multimedia Archive, based on a server at SSC, contains both catalogs and images for pictures taken both digitally and with a traditional, film-based camera, along with metadata about each image. After a "shoot," a photographer downloads the images into the database. Members of the PAO can use a Web-based application to search, view and retrieve images, approve images for publication, and view and edit metadata associated with the images. Approved images are archived and cross-referenced with appropriate descriptions and information. Security is provided by allowing administrators to explicitly grant access privileges to personnel to only access components of the system that they need to (i.e., allow only photographers to upload images, only PAO designated employees may approve images).
Saint John's Health Center PACS data volumes have increased dramatically since the hospital became filmless in April of 1999. This is due in part of continuous image accumulation, and the integration of a new multi-slice detector CT scanner into PACS. The original PACS archive would not be able to handle the distribution and archiving load and capacity in the near future. Furthermore, there is no secondary copy backup of all the archived PACS image data for disaster recovery purposes. The purpose of this paper is to present a clinical and technical process template to upgrade and expand the PACS archive, migrate existing PACs image data to the new archive, and provide a back-up and disaster recovery function not currently available. Discussion of the technical and clinical pitfalls and challenges involved in this process will be presented as well. The server hardware configuration was upgraded and a secondary backup implemented for disaster recovery. The upgrade includes new software versions, database reconfiguration, and installation of a new tape jukebox to replace the current MOD jukebox. Upon completion, all PACS image data from the original MOD jukebox was migrated to the new tape jukebox and verified. The migration was performed during clinical operation continuously in the background. Once the data migration was completed the MOD jukebox was removed. All newly acquired PACS exams are now archived to the new tape jukebox. All PACs image data residing on the original MOD jukebox have been successfully migrated into the new archive. In addition, a secondary backup of all PACS image data has been implemented for disaster recovery and has been verified using disaster scenario testing. No PACS image data was lost during the entire process and there was very little clinical impact during the entire upgrade and data migration. Some of the pitfalls and challenges during this upgrade process included hardware reconfiguration for the original archive server, clinical
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